FROM THE GROUND UP: An Exhibition Celebrating the Joy of the Garden, juried exhibition 

Opening August 23rd 2-4pm

August 9-September 13, 2014

Brush Art Gallery and Artist Studios

256 Market Street

Lowell, MA

Winter, juried exhibition 

Opening July 17th 6-8pm

July 17-August 16, 2014

Nave Gallery Annex

53 Chester Street

Somerville, MA

folk, juried exhibition 

Guest juror, Kate McNamara, Director and Chief Curator, Boston University Art Gallery

Opening July 31st 6:30-9pm

July 17-August 30, 2014

Gallery 263

263 Pearl Street

Cambridge, MA

COMMUNITY OF ARTISTS, juried exhibition 

Guest juror, Katherine French, Executive Director at Danforth Art, in Framingham, MA

Opening June 7th 6-8pm

June 8-August 3, 2014

Danforth Art

123 Union Avenue

Framingham, MA

ALL ABOUT WOOD, juried exhibition 

Opening May 1st 5-7pm

May 1-August 15, 2014

Davis Art Gallery

44 Portland Street

Worcester, MA

NOSTALGIA, juried exhibition 

Guest juror, Mary Tinti, Associate Curator at the Fitchburg Art Museum, in Fitchburg, MA.

Opening April 29th 5-7:30pm

 April 14-July 6, 2014

The Gallery at Atlantic Wharf

290 Congress Street

Boston, MA

LIKE IT'S 1979, Open member exhibition 

ArtsWorcester, Aurora Gallery

April 11-May 17, 2014

Opening April 11th from 6-8pm

Aurora Gallery

600 Main Street

Worcester, MA

MASSACHUSETTS, juried exhibition 

Guest juror, Dina Deitsch, Curator of Contemporary Art at the deCordova Sculpture Park and Museum, in Lincoln, MA.

March 20-April 12, 2014

Opening March 28th 6-8pm 

Gallery 263

Cambridge, MA

WOOD, juried exhibition 
Guest juror, Katherine French, Danforth Museum 
December 12-January 4, 2014

Gallery 263
Cambridge, MA

Photographs by Sharon Freed
September 25 through February 24, 2014
Opening reception: September 25th, 6:00-8:00 PM

This images in this exhibition were taken during an Earth Day clean-up, during which Freed found herself imagining how important these now-discarded objects once were to their owners. The objects depicted were, as she puts it, “a large part of every-day life,” and the photographs provoke curiosity about their origins and how they came to be abandoned. They fit into Freed’s overall project of “exposing what seems commonplace and making it extraordinary.”